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There is a recursive relationship between research and inspiration.

I find that the two feed off each other in a way that's hard to quantify--usually inspiration sparks the first round of research, but then the research sparks a new wave of inspiration, and so on and so forth, until it's really hard to answer questions like ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฅ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜จ๐˜ฆ๐˜ต ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข๐˜ด? because the answer is a complicated snarl of: ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ ๐˜ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ธ๐˜ข๐˜ด ๐˜ต๐˜ฆ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ต ๐˜ง๐˜ฆ๐˜ญ๐˜ต ๐˜ต๐˜ฐ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ด๐˜ฐ ๐˜ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ฆ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ข๐˜ฏ๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต ๐˜ณ๐˜ฆ๐˜ญ๐˜ช๐˜จ๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ด๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ง๐˜ช๐˜ค๐˜ฆ ๐˜ฃ๐˜ถ๐˜ต ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฏ๐˜บ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜น, ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ป, ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜จ๐˜ข๐˜ท๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ข ๐˜ธ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ด๐˜ฆ๐˜ต ๐˜ฐ๐˜ง ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ ๐˜ข ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜'๐˜ฅ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ, ๐˜ด๐˜ฐ ๐˜ ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ธ-๐˜ฏ๐˜ฆ๐˜ธ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ๐˜ด and so on and so forth until right this very moment while I'm still researching as I finish up edits.โฃ

I understand the problem better now after taking Becca Symeโ€™s Strengths For Writers course, when I learned that I have this lineup:โฃ

#1 Contextโฃ

#2 Intellectionโฃ

#3 Inputโฃ

#4 Learner. โฃ

(And then connectedness, empathy, belief, developer, ideation, and strategic, for any Strengths Finder wonks out there.)โฃ

Basically what this means is that I can get carried away with research--especially for a series like Thornchapel where there's so much to learn, so much history to weave into the setting, and so many Feels and Themes to work in.

I've had a couple people ask if I've kept a list of what I've read for Thornchapel, and BOY HAVE I!!!!! The bibliographyโ€”as much as Iโ€™ve been able to gatherโ€”is below.

(Yes, those are Dewey Decimal numbers on some of the books. I try to Dewey all my non-fic [although I'm behind a year or two.]) 

(Lipstick is Covfefe by @lipslut)

 

Thornchapel Bibliography

Non-Fiction:

Armstrong, Karen. Short History of Myth. New York: Canongate Canons, 2018.

Aslan, Reza. God: a Human History. New York: Random House, 2018.

Bell, Catherine M. Ritual, Perspectives and Dimensions. Oxford: Oxford University Press, 2009.

Cunliffe, Barry W. Britain Begins. Oxford: Oxford University Press, 2013.

Davidson, Hilda Roderick Ellis. Myths and Symbols in Pagan Europe: Early Scandinavian and Celtic Religions. Syracuse: Syracuse Univ. Press, 2006.

Ellis, Peter Berresford. Celtic Myths and Legends. London: Constable & Robinson, 2008.

Fox, Kate. Watching the English: the Hidden Rules of English Behavior. Boston: Nicholas Brealey Publishing, 2014.

Frazer, James George., and Robert Fraser. The Golden Bough: a Study in Magic and Religion: a New Abridgement from the Second and Third Editions. Oxford: Oxford University Press, 2009.

Kaldera, Raven. Pagan Polyamory: Becoming a Tribe of Hearts. Woodbury, MN: Llewellyn, 2005.

Lyall, Sarah. The Anglo Files: a Field Guide to the British. New York, NY: W.W. Norton & Company, Inc., 2009.

Macfarlane, Robert. Landmarks. London: Penguin Books, 2016.

Mansell, Chris. Ancient British Rock Art: a Guide to Indigenous Stone Carvings. Glastonbury, Somerset: Wooden Books, 2007.

McCoy, Edain. Celtic Myth & Magick: Harness the Power of the Gods and Goddesses. St. Paul, MN, U.S.A.: Llewellyn Publications, 1998.

Mueller, Hans-Friedrich.  โ€œThe Pagan World: Ancient Religions Before Christianity.โ€ The Great Courses Series.

Newman, Hugh. Stone Circles. Glastonbury, U.K.: Wooden Books, 2018.

Newman, Phil. The Field Archaeology of Dartmoor. Swindon: English Heritage, 2011.

Oliver, Neil. A History of Ancient Britain. London: Phoenix, 2012.

Paxton, Jennifer. โ€œThe Celtic World.โ€ The Great Courses Series.

Purkiss, Diane. At the Bottom of the Garden: a Dark History of Fairies, Hobgoblins, and Other Troublesome Things. New York: New York University Press, 2005.

RavenWolf, Silver. To Ride a Silver Broomstick: New Generation Witchcraft. Woodbury, MN: Llewellyn Publications, 2016.

Rees, Alwyn, and Brinley Rees. Celtic Heritage: Ancient Tradition in Ireland and Wales. London: Thames and Hudson, 1975.

Robb, Graham. The Discovery of Middle Earth: Mapping the Lost World of the Celts. New York: W.W. Norton & Company, 2015.

Rovelli, Carlo, Erica Segre, and Simon Carnell. The Order of Time. UK: Allen Lane, 2019.

Sjoestedt, Marie-Louise. Celtic Gods and Heroes. Mineola: Dover, 2000.

Voth, Grant. โ€œMyth in Human History.โ€ The Great Courses Series.

Fiction:

The China Garden by Liz Berry

House of Leaves by Mark Danielewski

Strange Grace by Tessa Gratton

Lammas Night by Katherine Kurtz

The King Must Die by Mary Renault

The Secret History by Donna Tartt